A frame that s&#
A frame that says, 'Drink makgeolli (rice wine) here and the one you miss will return' is hung on the wall of a tavern titled The Return. The tavern's regulars miss their lost ones.
青年季诺在(🥙)(zài )办(bàn )完母亲(qī(🏵)n )的丧礼后，动身寻(🚷)(xún )找(👈)(zhǎo )当年抛(pā(🐺)o )弃妻(🐏)子的渣父，却(🐺)只(zhī(🥫) )找到疑似小(💿)三的(➰)肚(dù )皮舞娘(🤖)萝(luó(🤨) )拉。殊不知这(🍬)位美(🥖)(měi )丽(lì )的小三(sā(🍇)n )，二十五年前就是(🗒)(shì )季(jì )诺要找的(🚮)「他」。萝拉当年(😴)(nián )的绝情缺席，让(🦑)季(jì )诺(nuò )难以释(🤷)(shì )怀。面对毫不知(🔶)情(qí(✡)ng )的(de )儿子，萝拉(🔭)尽管(🐍)心慌，也(yě )尽(jìn )其(🤠)可能用现在的模(🍢)(mó )样爱他。几次互(👿)动下来，季(jì )诺(nuò(⬛) )的心(➰)逐(zhú )渐柔软(🌹)起来(🏰)。重塑(sù )自(zì(👵) )己且(🔝)活(huó )得精彩(🚎)的萝(⛩)拉，究竟(jìng )会(🤨)不会(⚾)和季诺出柜(🌫)(guì )，坦(🌚)承自(zì )己的人生(🎹)故事？
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
青(qīng )釬(gā(🏢)n )治乱，倚天定国，长(😜)久以(yǐ )来(lái )，历代(😱)皇帝都以为只要(🐔)得到(dào )青釬和倚(🅿)天两柄神(shén )剑就(🐡)可夺(🎠)(duó )得天下，但(🧀)却无(🍮)一(yī )能(néng )识破两(✒)(liǎng )把宝剑的秘密(👫)。
一(yī )位(wèi )亿万富(⛔)翁探险家将(jiāng )一(📧)艘单(🚨)人(rén )潜水艇(👁)带到(🦋)海洋深(shēn )处(🐽)(chù )的(🔀)“午(wǔ )夜”地带(❎)，寻找(🍋)难(nán )以(yǐ )捉(📚)摸的(😍)(de )巨型鱿鱼，但发现(🍒)了(le )一个更小更致(🚵)命的(de )掠食者。
Mowgli who is in search of the legendary creature, the Giant Claw. Along the way, he discovers the evil plan of Shere Khan and must race against time to stop it to save a friend.
1891年(niá(🕷)n )，后印象派大师(shī(⭐) )保(bǎo )罗·高(gāo )更(🚛)在巴黎的艺术圈(✊)(quān )已(yǐ )小有名气(🌴)，但为文明社会的(🌺)(de )虚伪(🔒)与矫情感到(⬛)厌(yà(🥡)n )烦。对于(yú )原始世(🏊)界的渴望驱(qū )使(😶)(shǐ )他离开(kāi )家中(🥚)妻小，来到南(nán )太(🔮)(tài )平(🕖)洋的大溪地(📱)；准(🧙)(zhǔn )备好为追(🕛)(zhuī )寻(🗣)已久的自然(🦅)、野(🔦)(yě )性(xìng )、纯(🌲)粹(cuì(🛀) )的生活与创作环(😺)境(jìng )牺(xī )牲一切(🔜)(qiē )。忍受着经济上(🙀)的贫(pín )困和精神(💤)上的孤寂(jì )，高更(⛺)走(zǒu )进(jìn )丛林深(🆎)处，认识(shí )了(le )当地(🐼)的(de )毛利人，邂逅了(🗨)原(yuá(🕤)n )住(zhù )民女孩(😃)德胡(👰)拉；一段三角关(😑)(guān )係也若隐若现(🚏)地缓(huǎn )缓浮出。这(🍉)座远方岛屿彷佛(🐞)(fó )是(🔅)(shì )他灵魂(hú(🎺)n )的故(🕹)土，此处充满(🍕)(mǎn )生(🌋)(shēng )命力的人(👩)物面(🥔)貌与地景线(🏾)条(tiá(🔨)o )都成为他的缪思(🥪)，激(jī )发他创(chuàng )作(📫)出艺术生涯中最(🥇)(zuì )具(jù )标志性(xì(🌛)ng )的大师之作。
十多(🦗)岁(suì )的米特拉是(📿)一位雄(xióng )心勃勃(🤩)的(de )艺(yì )术家，她正(🛍)在完(🏝)(wán )成(chéng )自己的(de )梦(👔)想作品，也就是(shì(🏪) )拍(pāi )摄一部关于(🌴)埃及传奇歌手及(🧝)(jí )女星乌姆·库(🍋)勒苏(🤔)(sū )姆的电影(🚿)(yǐng )。然(🤱)而，为了更真(💃)(zhēn )实(🏬)(shí )地刻画(huà(🍱) )乌姆(🉐)作为一个神(🔮)话(huà(🍧) )、一个女人和一(🍂)位艺术家的本(bě(🏮)n )质，米特拉把家庭(💌)(tíng )放(fàng )在了事(shì(🎙) )业之后，她自己的(🎺)(de )人(rén )生斗争(zhēng )与(🧞)乌姆的融合在一(🍚)起(qǐ )，使她在情感(📰)和艺(💀)(yì )术上面临(lín )崩(😒)(bēng )溃。
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