1878年（(🔏)明治11
1878年（(🔏)明治11年）。在(🚖)明治维(wé(💪)i )新之后，为了(🔃)处(chù )理日(✴)本国内的士(shì )族叛乱这类(🎑)犯罪(zuì )者(🌦)，将他们大部(🧖)(bù )分都送(👍)到了监狱(yù(👊) )里，但(📕)是逃(🕳)狱事(shì )件时(shí )有发生。于(yú(💙) )是政(zhèng )府(🐒)就在滋贺(hè(🧖) )县的(de )琵琶(🌊)湖里浮(fú )着的(de )巨(🏣)树中(🗾)建造(⛽)(zào )了(📚)绝(jué )对不(bú )可能(👕)逃(táo )狱的(🐷)(de )监狱(yù )「狱(👾)门处」，将(🚃)重犯全都送(sòng )了进去。而负(📭)责(zé(😿) )最后(🍪)阶段护送的(🥋)(de )「渡桥者(🧚)」一职(zhí )则(🤺)是由湖边(💀)「昙神社」的「昙之三兄(🍐)(xiōng )弟」担(🌏)任。福士(shì )饰(🎡)演昙家的(🛄)长男(nán )——(😝)昙天(🏞)火。
文(⚪)(wén )革中，农村青年(nián )赵天(tiā(🙍)n )佑，因家庭(🚜)(tíng )出身(shēn )为(🏆)地主，差(chà(🍺) )点沦(lún )落为神经(🦃)病(bì(⌚)ng )，无(wú(🚘) )奈中(🐅)入赘山(shān )区柳(liǔ(📿) )沟河。改革(⛽)(gé )开放(fàng )后(🥄)，当选为(wé(😗)i )村委(wěi )会主(zhǔ )任。在爷爷(yé(🧗) )帮助(🚰)过的(📴)长工儿(ér )子(😖)的帮助下(🔼)，做(zuò )起了中(😸)药材生意(🌃)(yì )，几年功夫，柳(liǔ )沟河人靠(🥋)种植中药(🛵)材发家致富(🏭)，赵天(tiān )佑(👇)也因此成为(🕡)农(nó(🈺)ng )民企(🕔)业家。常务(wù )副市长王华林(🍋)看(kàn )到了(🚭)其中的发展(🐒)(zhǎn )前景(jǐ(🥪)ng )，把文阳县(xiàn )开发(⏬)(fā )区(✉)升级(⏲)为云(🕒)(yún )水市(shì )中药材(🚭)开发(fā )区(🌹)，极力主张中(☕)(zhōng )药材(cá(🚹)i )深加工。王(wáng )华林(lín )后来(lá(🐭)i )被冒(😜)牌(pá(💵)i )港商(shāng )茹丽(🏵)(lì )华拉下(🕦)水，帮助她在(💩)云水市(shì(🀄) )玩“空手道”套(tào )取资金。农民(📮)企(qǐ )业家(🚷)赵天佑中了(🥂)(le )茹丽华的(🐨)美人计，茹丽(🔐)华骗(🎙)走了(🐖)柳沟(gōu )河农民的中药材(cá(🐤)i )，然后潜逃(🌩)。赵(zhào )天佑迫(🥐)于道德压(🎾)(yā )力与法律追问(🔸)，大雪(🌆)(xuě )天(💿)跳崖(😭)自杀(shā )。
What happens when two gay men in a disintegrating relationship leave the big city to spend some time alone, together in nature? Is it possible for nature to reveal the truth, their true essence and help them to change? Can these two wounded men; traumatised, hurt, lost and desperate on a remote beach find a way back to innocence? Is there a way back to reality, back to love? Their relationship was formed against fear and loneliness. They fell in love, but they can't handle love. They've both made mistakes, poisoning their relationship through secrets and lies. They suffer when together, but they can't be apart. Life in the big city hasn't been letting them breathe, think or feel - creating constant and never-ending problems. Are they both ready for the next step?
讲(jiǎng )述漫(💤)画家Edgar在(zà(👻)i )离婚(hūn )后搬(📶)回家与(yǔ(🔲) )父母(mǔ )同住，在他(tā )哥哥(gē(🛁) )以前的房(🚥)间(jiān )里发(fā(🌜) )现了一个(🕌)魔(mó )偶，他于(🦕)(yú )是动心(🍜)想去(qù )纪念(niàn )Toulon谋杀3 0周年的(🐂)(de )集会上卖(✍)掉它。当他和(👶)新女友Ashley一(🧜)(yī )起到达后，发现(🛴)(xiàn )并(🤳)不是只有他们想卖掉木偶(🕧)，所有的(de )木(📩)偶都活了过(🚩)来(lái )，步步(😥)紧逼，向(xiàng )那些少(🚆)数名族下(🚀)(xià )手(🤬)。 虽然属于魔(mó )偶(💯)系列，这部(🙀)至(zhì )小帝(dì(🈴) )国却和1968年(🌸)的(de )《活(huó )死人之夜》很类(lèi )似(🍗)，在室内(nè(🎀)i )如一(yī )家小(👒)旅馆里(lǐ(🏋) )展开(kāi )情节(😞)，游客(kè )和(🕚)住(zhù )户必(bì )须群起而攻(gō(🅿)ng )之。Edgar的独白(🎦)告诉(sù )观众(🎞)，为什么Toulon要(🤝)(yào )设计这些木偶(💜)，他们(💯)很小，却极(👮)(jí )易在最不可能(🧥)的情况下(👽)击垮你。
In the fall of 1960, Father Thomas Riley and Father John Thornton were sent by the Vatican to investigate a miraculous event in an Irish home for 'fallen women', only to uncover something much more horrific.
Plot unknown.
讲述(🦅)(shù )一名中(🧞)国广东某(mǒu )地级(🐦)市侦探社(💂)和(hé(🖖) )东南亚某国侦探(🈲)(tàn )社联合(🎐)调查一宗(zō(🍉)ng )跨境走私(🌒)犯罪案(àn )件的(de )故事。幕后(hò(🦑)u )大老(lǎo )板(📙)通过走私(sī(💿) )企图(tú )洗(💳)黑钱，被(bèi )侦(🧖)探(tàn )发现(👤)后试图(tú )毁灭(miè )证据而布(🔐)局(jú )杀人(🐿)(rén )案件(jiàn )
由(🏨)南派三叔(📴)(shū )担任(rèn )总策划(🤔)，从(có(🐛)ng )超级IP《盗墓(🔢)笔记(jì )》分裂而来(🏼)的全(quán )新(🎸)故事《吴山居(🍂)(jū )事件账(🏬)》系列网络大电影之《蚌人》，讲(🏽)述了(📃)霍有心(xīn )因手下(📠)离奇丧命(🥤)(mìng )而前往吴(🍳)山居兴(xì(🚓)ng )师问罪，并设计(jì )让吴山居(😫)经理白(bá(🍭)i )蛇也(yě )感染(🚂)了致其(qí(🧔) )手下(xià )命丧(👉)黄泉的(de )怪(🙂)病(bìng )。不料反被(bèi )白蛇(shé )设(📦)计两人均(😓)(jun1 )染上(shàng )该怪(🈳)病，为(wéi )解(🦏)开(kāi )其中(zhōng )秘密(🔬)，二人(🗡)(rén )寻求(qiú(🐲) )吴邪帮助并(bìng )在(🥡)其指引下(⚪)来到(dào )一神(⏮)秘山洞，寻(🌛)(xún )找怪病的源头和(hé )解救(🐲)之法(🏾)。
MANOS Returns is the follow up film to the cult favorite Manos: The Hands of Fate, created by Jackey Neyman Jones who portrayed Debbie from the original film.
详情
