1995年,Jonas是个
1995年,Jonas是个(gè )躲在(🅿)柜(guì(🦏) )中的(de )14岁男孩(hái ),他(tā )对(📑)英俊(👹)潇洒(sǎ )的同学Nathan一见(jià(👵)n )钟情(🤘),尤其对Nathan桀骜不驯的一(🥛)面又(🏦)爱又怕。18年后,三十而立(⬜)的Jonas已(🧑)(yǐ )是风流倜傥(tǎng )的熟(🙃)(shú )男(📌),却(què )仍在(zài )寻找人(ré(🏼)n )生平(📊)(píng )衡(🌶)点,因为(wéi )挥之不(😄)(bú )去(🏒)的(de )回(🐻)忆阴影,他回到睽(⛺)违(wé(🧣)i )已久(🎬)的家乡,试图在每个记(🏑)忆角(🕝)落,寻找早已失去(qù )的(✂)线索(📛)、14岁(suì )的自己,以(yǐ )及(💌)他(tā(🐓) )曾经爱(ài )过的(de )那个男(🐟)(nán )孩(💞)…
A young girl with a special gift struggles to overcome a mob boss' influence over her family in this dark Dust Bowl fantasy, inspired by Hans Christian Andersen's "The Little Mermaid."
影片讲(jiǎng )述青(qīng )年(🦕)医生(🎯)刘云(yún )翔因为父亲(qī(🥉)n )的被(⚽)杀从而卷入了一起日(👦)军盗(🕘)抢国宝化石的阴谋,展(🥖)示了(🙎)我北(🌨)(běi )平地下党为(wé(🤴)i )保护(🤸)(hù )民(📻)族国(guó )宝而(ér )同日本(😿)(běn )侵(🙄)略(luè )者斗智(zhì )斗(🏖)勇(yǒ(🚱)ng )的故(💵)事(shì )。
UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.
大(dà )龄未婚青年(📮)(nián ):(🏴)麦圣男(于谷鸣饰)(🥑)、魏(😂)唯(王钰饰)和韩笑(🎽)(唐(🎨)昕)在假(jiǎ )期聚首,三(🕘)(sān )人(🗄)为了给前(qián )去参(cān )加(🤮)音乐(🦉)(lè )交流(liú )赛的夏(xià )小(😗)亦(yì(🍜) )(美加(jiā )佳饰(shì ))凑(📿)应援(🚹)团(tuán ),在“出租(zū )情侣”的(☔)网店(🏔)下了(🚪)订单。机场内一番(🔁)啼笑(🦁)皆非(🏎)的“认亲”后,一行人踏上(👸)(shàng )了(🍩)前(qián )往威海(hǎi )的旅(lǚ(🙆) )程。旅(🕝)(lǚ )行中(zhōng ),中韩(hán )混血(📸)(xuè )吉(😷)秀贤(xián )(袁(yuán )昊饰)(📉)对韩(🛁)(hán )笑暗生好感(gǎn ),但心(🔟)思细(👱)腻的他发现,其实麦圣(👻)男与(🐙)韩笑情愫已生,只欠东(🧙)(dōng )风(🤑),凭着极(jí )高的(de )职业操(🙊)(cāo )守(🛷),他决定(dìng )暗中(zhōng )推波(🐞)助(zhù(🚨) )澜,上演一出动(dòng )人心(🦃)弦的(🥩)攻(gō(💙)ng )爱大计划。几番起(🎴)伏曲(💙)折,圣(🌃)男终于鼓起勇气浪漫(🥫)告白(🍵),赢得(dé )了韩笑的“美人(👯)(rén )心(🐺)”。
Alex, 43 ans, est dépanneur automobile dans le garage que dirige d'une main de fer sa mère. Un jour, il dépanne une jeune femme et passe la nuit chez elle, mais au petit matin elle a disparu lui laissant sur les bras trois enfants.
Konstantin, a songwriter and master guitarist, runs away from numerous problems to the nature reserve Mikhailovskoye. Kostantin has long lost any way of income and has almost given up hope to be heard, living by sheer inertia and often drawing on alcohol.
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