《贺先生的恋恋不忘》8

故事讲(🅿)述16岁的巴(bā )基(🎅)(jī )斯(🕋)(sī )坦族少女(🌮)(玛丽亚·莫兹(🚩)(zī )达(📺)(dá )饰)一家住(🧀)在奥斯陆，然而(⛏)家(jiā(🏗) )人(rén )却(què )遵(🍪)守(✊)着严格的巴(🙊)基斯(🍭)(sī )坦(tǎn )传统，当(⛰)她和白人男(🔑)友的暧(ài )昧(mèi )关(guā(🚌)n )系(xì )被传统(🏋)的父亲发现后(hòu )，父(⛅)亲立马将她(🎞)送往巴基斯坦(tǎn )的(🎲)(de )亲(qīn )戚家接(📰)受教育。

当医生(shēng )来(📲)敲门，健康的(🐉)人都成病人，不(🅰)(bú )管(👙)(guǎn )小病还是(😢)重症，能够(gòu )赚(♓)(zuàn )钱(🌂)都是好病人(🌤)。

When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.

故事发生在(zà(🙀)i )清(qī(🎸)ng )莱(lái )的一个(🛅)小城镇，在监狱(👊)(yù )一(🏞)(yī )年一度的(🏮)家(🤯)庭日那天，阿(🔵)宁(ní(🙁)ng )带(dài )着(zhe )她十岁(👧)的孩子小恒(🅿)，去(qù )监狱看望他的(🗒)爸爸，因为阿(📑)(ā )宁(níng )收(shōu )到(dào )了(🚦)他丈夫的一(🏖)个好消(xiāo )息(xī )......

特工(🐏)尼科洛·华(🧙)莱士（Troy N. Ashford 饰）是(shì )一(🥎)(yī )位为政府(😠)工作的刺客，专(✉)门刺(🔂)杀人尽皆知(🤩)，臭名昭著(zhe )的(de )恐(🎩)(kǒng )怖(⭕)分子。本已打(🏌)算金(jīn )盆(pén )吸(🧔)收的(⛷)尼科洛在压(💓)力下决定(dìng )执(⏰)(zhí )行(🍦)(háng )最后一次(🐉)，也(🚚)是最致命(mì(⛷)ng )的(de )一(🧐)次刺杀行动，杀(🚔)死残害他(tā(🚲) )的(de )家(jiā )乡格鲁吉亚(🥔)的疯子。当(dā(🚪)ng )两个联邦卧底被杀(🛰)后，华莱(lái )士(📗)(shì )的(de )师傅，李大师（(⏪)弗雷德(dé )·(💧)威廉森 Fred Williamson 饰）和(🍦)他的(🥢)孪生兄弟(dì(🈷) )尼(ní )希(xī )米（(🤽)Troy N. Ashford 饰）(🗼)也卷入了纷(🎸)争(zhēng )。尼科洛身(🔆)边的(🧦)人都卷入了(😞)这(zhè )场(chǎng )致(zhì(🚵) )命游(🎙)戏，这也将揭(🎱)露(lù )他(tā )可怕(🏎)的过(🛣)去......

Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.

建筑工程师(🦎)迈克(kè )尔(ě(👙)r )打(dǎ )算带着十四年(🌞)都未曾联(liá(👈)n )系(xì )的儿子路易斯(🚾)去挪威参加(📠)父(fù )亲(qīn )的(de )葬礼。二(🌉)人因此有了(🦔)(le )一(yī )段从未有过的(🌞)独处时光，迈(🌅)(mài )克(kè )尔(ěr )也(💥)想借(✈)此机会弥补(🏑)自己(jǐ )作(zuò )为(🚐)父亲(💽)缺席的十四(🌵)年。然而(ér )，无(wú(👭) )论迈(👭)克尔怎样试(🦔)图和儿(ér )子沟(🍩)通都(⏹)无法得到积(🤔)极的回(huí )应(yī(🦎)ng )，二(è(💸)r )人之间仿佛有(🍖)着一堵(dǔ )无(🚶)(wú )法逾越的心墙。尽(🐩)管这一路(lù(🎲) )上(shàng )遇(yù )到的种种(🍜)麻烦让路易(🏬)斯(sī )一(yī )直埋怨父(🈴)亲的粗心大(🌲)意，迈(mài )克(kè )尔(ěr )依(🔏)然希望能够(🐕)推翻彼(bǐ )此(cǐ(🌱) )间的(🙀)隔阂。