UNDERNEATH is a
UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.
本片撷取(qǔ )了发(🌤)生在中(➡)国(guó(🐽) )北(běi )方小城镇中一(🤓)个(gè(🛀) )中(zhōng )国青年出狱后(hòu )的(de )一段(🎾)人生经(🏺)历,讲(🚨)(jiǎng )述了一个小人(ré(🕔)n )物在(😋)商品经(🗻)济(jì )的(de )大潮中与时代的隔(gé(❤) )离,以(☔)及人们(men )对(duì )金钱的(🆙)崇尚(🎚)和理(lǐ(⚪) )想(xiǎ(🏠)ng )、道德的流失(shī ),对社会(💓)与人(😚)性(xìng )作出了深度拷(❗)问。尤(😜)其是本(🎦)片以(🏞)(yǐ )中(zhōng )国农历冬季(🥘)的四(🦊)(sì )个(〽)(gè )节气作为篇章(zhāng ),具有(😛)强烈的(🈶)中国(➕)(guó )文化符号视觉。
在(🚯)法院(⛏)擔任公(gōng )設(shè )辯護人的李慧(🎥)貞(zhēn ),接(💚)任一(🗳)樁由名(míng )律(lǜ )師王(😔)國超(⚽)中途解(jiě )除(chú )委任的青少年(nián )殺人(🛡)案。
清(🥊)末(mò )民(mín )初军阀四(🈶)起战(📘)火绵(miá(💙)n )绵,老(👖)百姓深(shēn )陷(xiàn )水深火热(🕷)之中(😆),很(hěn )多人妻离子散(👣)(sàn ),家(🤩)破人亡(🔈)。然而(➗)有一座偏远的小(xiǎ(🌋)o )山镇(🍱),却独(🗜)享(xiǎng )着(zhe )这一片安宁。但(dà(〽)n )好(hǎo )景(💛)不长(📔),镇上(shàng )突然发生了(🍹)一些(👴)离(lí )奇命案,死去的(de )都是村里(🔌)的青(qī(🔹)ng )年(niá(🈺)n )壮汉,闹的人心(xīn )惶(📦)(huáng )惶(💡)。一向夜不(bú )闭(bì )户的他们天还没(mé(🦗)i )黑(hē(😺)i )就关门上锁,不再外(🐊)出。但(🍺)这(zhè )并(😭)非长(🤧)久之计,镇(zhèn )长为此召集(🍊)百(bǎ(🏔)i )姓(xìng ),筹集钱财招揽(🎰)(lǎn )能(🔔)(néng )人异(🏘)士,希(📶)望(wàng )能找出根源,除(🐪)去祸(🚿)患。
黄(🥛)河晋陕(shǎn )大峡谷的壮阔(💭)(kuò )背(bè(💑)i )景中(🎟),邵兵姜武(wǔ )分(fèn )饰(🔬)一对(👘)警察大(dà )盗,江湖恩怨从20年(niá(🌤)n )前计起(🔴),又因(🎙)故(gù )人之女再度重(🎶)(chóng )逢(♍)(féng )。当年的枪声改(gǎi )变(biàn )了众人的命(🏫)运(yù(🦏)n ),这一次追捕像轮(lú(🕢)n )回(huí(💀) )中的一(🏇)场重逢(féng ),“有生以来,侠路相逢(👩),终不(❎)能(néng )幸免”。尘封(fēng )的(🔇)(de )秘密(🚘)被不断(📷)牵出(🌒)(chū ),往事的波澜再(zà(🌓)i )次起(🚳)伏。巨(👃)石壁立,黄河奔流,所(suǒ )见(🙊)证的罪(🤯)恶与(🛡)(yǔ )惩(chéng )罚、英勇与(🎅)荣誉(📑)(yù ),是一段荡气回(huí )肠、感慨(🎷)唏嘘的(😢)英(yī(🍷)ng )雄故事,也是一(yī )段(😜)惊心(🛤)动魄的(de )黄(huáng )河边的残酷青春(chūn )......
Skilled at killing, but not so skilled at living, Sammy Cohen, a French and London-based assassin, accidentally kills his fiancé, who happens to be the daughter of an Israeli gangster. qiwan.cc Forced to flee, he ends up in Copenhagen, where he starts working with a former mercenary and together, they travel all over Europe, doing the dirty work on behalf of a rich industrialist.
藝(🏎)術家(🍧)自古皆(jiē )寂(jì )寞或(🍬)許是(🖥)境界,人(🖇)(rén )到中年萬事憂(yōu )則是現實(🌄)。在畫(🕘)(huà )室洋洋灑灑呈現(😯)自(zì(〽) )由雄風(😹)的裸(🍽)男(nán )畫(huà )作令他一(🤯)舉成(🏙)名(mí(🍖)ng ),在家面對前妻(qī )懷着新(🔘)歡骨肉(🐴)、與(😃)女兒相處尷尬卻(què(🐱) )令他(🤜)一籌莫展(zhǎn )。貝蒙特的寂寞,在(🍢)(zài )於如(🎷)何在(🌔)著名(míng )畫(huà )家與單(🏞)親爸(🕟)爸雙(shuāng )重身份、藝術創(chuàng )作與家庭(🌠)生活(🥣)(huó )之(zhī )間取得平衡(🌍)。維(wé(🍖)i )羅(luó )((🐉)《電影就在(zài )街(jiē )角》,35 屆)找來(🎢)(lái )合(🌐)(hé )作多年的編劇(jù(🥔) )兼美(📓)指好友(🔅)對號(😠)(hào )入座,還原藝術家(🥄)(jiā )有(👦)血有(✍)肉的矛(máo )盾(dùn )本性,在出(👰)世與(yǔ(🥃) )入(rù(🥪) )世的兩難外,毋忘點(🌿)點超(🕍)現實的幽默。
During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.
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