遭到友人設(🤥)(sh
遭到友人設(🤥)(shè )局(jú )而(👡)(ér )欠(qiàn )下大(🏙)筆債務的(🥓)張父，逼不得(🤹)(dé )已帶著(🧑)一家四口承(⭐)租(📻)花(huā )蓮(🤼)(lián )的(de )一(yī )處(⭐) 凶(🐪)宅，此處(💶)過去曾發生(🕕)(shē(😘)ng )了(le )駭人(❤)聽聞的五子(🏧)命(🧘)案。初(chū )入(rù )凶宅的當(😄)天，一些若有似無(wú )鬼(🌡)影幢幢，加上張父突(tū(📶) )如(rú )其(qí )來(lái )的搬家(🎢)舉動，惹的張母與大(dà(⏹) )姊心裡不愉快。即使向(🏻)(xiàng )張(zhāng )父(fù(⏱) )抱怨，鐵齒(🔉)的張父以一(🎤)貫不(bú )信(🌵)(xìn )鬼神的態(👩)度，予以拒(🛤)(jù )絕(jué )。
Six individuals end up in a Hotel in the middle of nowhere with a very eccentric caretaker. They haven't arrived by accident. Age old, evil powers are within the hotel and behind the walls a deep dark secret hides. They have to survive the night but not everyone is whom they seem.
Joy Holbrook is an intuitive market researcher in DC who has captured the attention of the account's CEO and is about to get a sweet promotion, just in time for the holidays. She receives an urgent phone call from home and she rushes back to Crystal Falls, NC to help her Aunt recover from surgery and is reunited with her former crush, Ben. To keep her Aunt focused on healing, Joy volunteers to take Ruby's place with the town's legendary baking competition, the "Cookie Crawl," much to the amusement of Ben who knows Joy has absolutely no idea of the Herculean task before her. Though Joy initially refuses Ben's attempts to "co-captain," she begins to soften and let him in, all the while remembering that there truly is no place like home.
本(bě(🍊)n )片基于弗(⛲)洛伦西亚埃(🏴)切(🌡)夫斯(sī(🚍) )的小说《科妮(🦊)莉(🙎)亚》改(gǎ(🏜)i )编(biān )，讲(jiǎng )述(✨)一(⤵)位来自(✳)布宜诺斯艾(📸)利(💲)(lì )斯(sī )的名校老师和(🍛)五名学生(shēng )进(jìn )行(há(🛣)ng )了一次学习旅行，其中(✔)一个(gè )叫(🕗)科妮莉亚·(🛑)维拉尔巴(bā )的(de )学(xué )生(🖼)(shēng )神秘失踪，据说，她和(🚝)同伴(bàn )们相(🍻)约一起去(🏆)跳舞，结(jié )果(👐)(guǒ )在(zài )巴(🎭)塔哥尼亚森(🐘)林中走失(💚)....
Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry.
本片(piàn )讲(jiǎ(🎪)ng )述了女主(🍻)角之间的竞(🚛)(jì(🖨)ng )技(jì )对(🕺)(duì )决(jué )和爱(🏅)情(🚴)纠葛的(📮)故事，在生与(🍉)(yǔ(🗓) )死、爱(👰)与恨、真相(🍥)与(⏺)谎(huǎng )言(yán )中(zhōng )她(tā )们(🕣)所发生的不可思议(yì(🌋) )的人(rén )生(shēng )转变。
Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.
ユミ(📯)は夫と娘の３人(rén )暮(🛌)らし。近々引っ越しを(🍱)考(kǎo )えている。ユミは(🚱)娘のレイナ(🌭)が時折う(🌕)わ言を発す(🌵)ることが(🚍)、少々気に(🛋)かかって(🚈)いた。転居の(🛣)報告も兼(🥃)ねて友人(ré(🏼)n )ヒ(🙄)ロミと(🕉)久々に再会(👤)す(🗨)るユミ(😻)。話題はいつ(💀)し(🐨)か「あの日(rì )」の(🐳)こ(🚦)とに。「私たちが埋(má(📃)i )めた時、本当に死ん(⛔)でたのかな？」。ユミ(🔢)は「あの日(rì )」のこ(⤴)とを清算すべく、サ(🐘)エ、アコにも再会を(😓)決意(yì )し、(📡)廃(fèi )墟の(😘)ような家に(🕝)一人で住(🏣)むサエに会(🔶)いに行く(🗑)。サエは、見(🗞)知らぬ少(🎗)女が現れて(➰)娘(🎒)(niáng )だと(🚾)言って聞か(💸)ず(👍)、しば(🏏)らく一緒に(🐰)暮(🌧)らしていたが死ん(🎻)だ(👱)こと、そして少女は(🖼)死(sǐ )んだままその家(🏈)の３階に寝かされて(🗾)いるということを話(🚚)(huà )し出す。(C)「黄泉がえ(🍩)る少女」製作委員会(🧒)
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