A collection o&
A collection of horror stories involving cannibals, zombies “and other funny creatures”.
During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.
如(rú )果你有了一(yī )个不能(🛐)说(🦑)(shuō )的秘(😱)密(mì )，你(nǐ )会选择如何保守(👍)(shǒu )呢？(🔦)目(📚)睹了(le )一起杀人(rén )案的小护工(gōng )墨(🕤)墨，和绯(🔀)闻(🏒)缠(chán )身的喜剧(jù )明星大奎都(dōu )选(🚠)择(🐇)了同(💮)一(🦂)(yī )个地方——郊外(wài )别墅(shù )。这里(🌾)是(🦄)墨墨(☝)曾(📘)(céng )经工作过的(de )一户人家(jiā )，当时主(🏒)人(🖲)(ré(🈂)n )曾(🌹)允(🏦)许她不时来(lái )暂住，碰巧(qiǎo )，这家的(🖋)(de )主(❔)人(🕤)就是(🎪)大(dà )奎的奶奶。两个(gè )无处(chù )可去(🐁)(qù(😆) )又要保(🉐)守秘(mì )密的人就这(zhè )样在(👨)别墅(shù(🎛) )里(🤚)相遇(yù )了。为了守住自己的(de )秘密，以(🍶)防(fáng )对(🌡)方(🎙)出去(qù )乱说话，两(liǎng )人只好展开了(🍣)互(🌴)(hù )相(🗿)提(🌜)防又(yòu )令人啼笑皆(jiē )非的同居生(🍎)(shē(🧑)ng )活。二(🐓)人(🧘)在吵吵(chǎo )闹闹(nào )的相处中，从最(zuì(🎭) )开(👢)始(💐)的(🚊)相(🆕)看(kàn )生厌，到(dào )慢慢发现彼(bǐ )此身(📂)上(🖋)的(🍚)优点(🐓)，渐生好感。谁知这时(shí )，大奎的绯(fē(👃)i )闻(🐛)女友带(🐂)着一众(zhòng )记者找了(le )过来，想(🍴)跟(gēn )大(🛺)奎(🎚)坐实恋(liàn )情，不然(rán )就不走(zǒu )了。别(🔉)墅被各(💖)路(🤨)媒体(tǐ )记者包围了(le )，墨墨十(shí )分担(🦈)心(🍤)地看(😕)(kà(🙊)n )向大奎……
Summer 1989, East Germany. Adam works as a tailor, Evelyn as a waitress. They are planning a vacation together when Evelyn finds out that Adam is cheating on her and decides to leave for the holiday on her own. She travels to Hungary, trailed by Adam. As the border with Austria falls, everything changes in Hungary. The frontiers are open, as the new possibilities for Adam and Evelyn to decide in which world – Eastern or Western – they want to build a happy life. Adam und Evelyn is based on the homonymous novel by Ingo Schulze, translated in more than ten languages.
张乾救了师妹苏(🚳)樱(🐟)雪(xuě(🎓) )，在(📒)表白前(qián )却误杀了师弟，导致(zhì )了(📃)师(😧)(shī )妹(🦑)的(🍁)误会，两人阴差阳(yáng )错来到现(xiàn )代(😅)后(🌘)，张(⬛)乾(qiá(💔)n )一直希望得到师(shī )妹的原谅，却没(🐲)想(🤚)到(dào )半(🏄)路杀出一(yī )个长的很像师弟(dì )的(🏴)李(🌥)一白(bái )，三人的感(gǎn )情在这段错(cuò(👵) )综复杂(😒)且(🤰)水土不(bú )服的(de )现代生活中闹出(chū(😓) )不少笑(⚪)话(🍋)。
清末民初(chū )，日本人以(yǐ )荣亚矿业(🏉)公(🏝)司为(🏉)(wé(😒)i )壳，瞄上了南灵镇的(de )皇墓，试图(tú )盗(🧢)取(♏)国宝(🗼)，荣(🕸)亚(yà )矿业(yè )的负(fù )责人藤川负(fù(🖇) )责(👶)调(🦇)查“镇(🏈)(zhèn )灵玺”。一日，收到(dào )线报，称南灵镇(🔥)(zhè(⏹)n )花(🔇)家少(🏪)爷花(huā )易天在最(zuì )近的一次倒(dǎ(🛤)o )斗(🥖)中，掌握了国(guó )宝线索。藤川盯上了(💉)(le )花易天(🔠)，而(⛷)(ér )此时，花易天一(yī )方面(miàn )要面对(⛷)日本人(🅱)的(🥖)(de )虎视眈眈，一方面遭(zāo )到了花家分(🚐)(fè(📪)n )舵主(🎳)王(⛑)中鹤的反(fǎn )水，失去了花家镇外(wà(🐉)i )六(🏚)部势(😟)力(👰)。内忧外患之下，花易(yì )天以(yǐ )肥斗(🧖)美(⚫)差(🤝)招(zhā(🐉)o )来了高手慕(mù )长风助自(zì )己一臂(🍎)之(📯)力(🐂)(lì )。机(🎀)缘巧合下爱(ài )上了花易天(tiān )青梅(🍺)竹(❕)马(mǎ )的未婚妻唐(táng )婉云的慕长风(🔷)与(yǔ )花(💑)易(😔)天里(lǐ )应外合，在(zài )“花魁十年(nián )庆(🚁)”时清盘(🖕)了(🔽)王(wáng )中鹤(hè )势力。没想到逃(táo )走的(🙏)王(🔀)中鹤(⚪)(hè(💸) )绑架了唐(táng )婉云和花易(yì )天极尽(😛)折(🎐)磨，虽(🍻)(suī(⚫) )然二人侥幸逃出，但(dàn )是花易天身(💘)(shē(🎣)n )体(⛎)和精(💧)神全都元(yuán )气大(dà )伤，一蹶不振。花(🏃)易(〰)天(🗃)能否(🙎)(fǒu )重新振作(zuò )?又能否联手(shǒu )慕长(⏰)风(🖤)终结日本(běn )人的阴谋，守护住属(shǔ(🏥) )于中国(📫)的(😞)镇(zhèn )灵宝?
Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.
收到媽媽從(cóng )山上寄來(🔀)(lái )的蜜(🕷)蘋(⏺)果，小月計算著(zhe )，媽媽已經在外(wài )工(😣)作(🔐)(zuò )許(🐐)久(👽)了，媽媽的(de )搖籃曲總是(shì )在耳邊呼(😊)(hū(🍔) )喚著(🙅)。『(🐺)你(nǐ )媽多久沒回來了(le )？』是小月(🚩)（(🍂)13歲(👩)）與(🎅)(yǔ )碧艷（15歲）兩個小女孩彼此(cǐ(🎢) )關(🧦)心(😠)(xīn )的(🎇)話(huà )語。
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