時は安土桃(🍗)(tá
時は安土桃(🍗)(táo )山時代。忍びの(🏒)郷を(🛀)抜(bá )けた篠(17)は(🏿)、追手から逃走する(🍌)際(jì )に2015年にタ(🌓)イ(🎡)ムスリップしてし(😻)まう。
梅姨是一(🏣)个(🦋)生活在社会最底层(😦)的(de )人，为(wéi )了生计(🚄)(jì )，为(🐁)了(le )抚养儿子(zǐ(🥅) )毅天一(yī )直做按(🥞)(àn )摩(🥔)女。漫长的岁月(🍚)被(🏙)毒贩(fàn )引诱染(rǎn )上(❄)了毒(dú )瘾。孟(mè(🛶)ng )豹(💺)是毅天(tiān )的同学(xué(🙇) )，整天(tiān )游手好(🍳)闲(➗)，欺负同学并收(shōu )取(🦕)同学(xué )的保护(hù(🗓) )费。小(🧐)(xiǎo )江是毅天的(💹)同学(xué )也是从(có(✉)ng )小一(🕳)起长大的好兄(😃)弟(🏦)，由于不肯(kěn )给交保(🥇)(bǎo )护费被(bèi )孟(🏬)豹(📢)欺(qī )负。闻讯(xùn )赶来(📍)的(de )毅天为了救小(🐳)江把(➡)老妈刚给的两(🌖)(liǎng )百块钱(qián )给了(🍨)孟(mè(🥗)ng )豹，孟(mèng )豹收了(🧣)钱(🕦)(qián )却又侮(wǔ )辱了毅(🏿)天母亲，毅天气(😔)不(😵)过把孟(mèng )豹一顿(dù(📱)n )臭打。毒枭老(lǎ(🐚)o )黑(👴)正好路(lù )过，救(jiù )下(❓)了孟(mèng )豹。毅天孟(🍞)豹从(🚢)此结下梁(liáng )子(🚩)。孟(mèng )豹跟了(le )毒枭(🔑)老(lǎ(🍝)o )黑后，一直给瘾(🏭)(yǐ(🐣)n )君子送(sòng )货，其中就(🚨)有毅天的母亲(⬅)梅(♓)姨。故事究(jiū )竟会向(🚢)(xiàng )什么方向发展(🥤)？让(🉑)我们(men )拭目以待(🌵)。
In the year 1920, when India's freedom movement was gaining momentum, one man firmly believed that the Britishers were not as bad as they were being made out to be.
Ever since the death of her first dominant, William Frederick, Emma has struggled to adjust to life as a submissive without him. Unable to form lasting connections with other men, Emma chooses to abandon the lifestyle completely. But, her world is flipped upside down when she meets Mariah, a sassy young woman eager to explore the BDSM world. Seeing much of her former self in this young woman, Emma takes it upon herself to educate Mariah about life as a submissive and volunteers to act as her temporary dominant. However, things become complicated when Mariah grows attached to Emma and wants their arrangement to become a permanent one. Will Emma be able to walk away from the life she always loved and a girl who desperately needs her? Or is there more in the BDSM world for Emma than she ever fully realized?
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
中年建築師遇上(🕍)人生(🔔)(shēng )瓶頸，在家被(⏫)(bè(🚅)i )老婆嫌(xián )棄，公司(sī(🎺) )小開兔(tù )死狗(🚋)烹(🖇)。失業的他在曼谷街(🆚)頭驀(mò )然回首(📵)(shǒ(🚵)u )，瞥見(jiàn )大象Pop Aye，憶起歡(🃏)快(kuài )的童年(nián )時(🐈)光，毅(✴)然買下大象，卻(🚼)發現都(dōu )市生活(🏧)(huó )容(♒)不下(xià )他倆，打(⛩)算(💋)和老象一路(lù )向北(🏭)返(fǎn )鄉。這趟人(🎴)與(🚷)象的公路之旅，途(tú(🔎) )中狀況(kuàng )不斷，所(🤓)幸萬(🏵)能的象鼻(bí )領(📺)著他(tā )倆，與沿路(🆒)風景(🔮)相伴。《爸媽不(bú(🔐) )在(🥞)家》導演陳(chén )哲藝監(📌)(jiān )製，阿比(bǐ )查(🈹)邦(🕓)御(yù )用剪接操刀，看(🏾)擅長冷幽默的(🎥)才(🕗)(cái )女導演(yǎn )陳敬音(🙂)(yīn )，用象(xiàng )鼻對抗(⛷)中(zhō(📇)ng )年危機(jī )！將泰(🌦)(tài )國鄉下的荒涼(💐)風景(💦)，轉變(biàn )成一首(🏰)(shǒ(🙃)u )洋溢著(zhe )淡淡霓(ní )虹(🍧)光芒的(de )自我蛻(🎭)(tuì(🕧) )變之歌(gē )。
일반회사(♑)와 조금 다른 경훈(🌈)의 회(🏖)사.
A struggling novelist moves his wife and young son to an old country home where he intends to write his next bestseller, but when a presence begins to communicate with his son, the tortured family must fight to escape an evil that threatens to doom them to the house for eternity.
详情
