在贝(bèi )鲁特一个
在贝(bèi )鲁特一个街(🏽)角的咖(⛽)啡店二(èr )楼，有(⛰)一面(😙)大大的转(zhuǎn )角窗(chuāng )和(🍴)一台电(diàn )视机，一位(📄)78岁的(de )退(〽)伍(wǔ )将军和一(📠)位81岁(🏷)的退伍(wǔ )军医每天(tiā(🏎)n )早上都会在这里(lǐ(⛲) )碰面(mià(🕛)n )，看着街角车来(🚴)人往(💭)(wǎng )，做着(🤹)填(tián )字游戏，以(🏠)此对(🉐)(duì )抗阿(ā )茨海(➡)默综合(🙁)症。伴随(suí )两位(🤗)(wèi )老(⚡)人(rén )的(🔊)玩笑和字谜，咖(🛐)啡(fē(🚚)i )馆的顾客纷纷登场。本(🛫)片(piàn )用发(fā )生在一(🍠)个社会(👲)小(xiǎo )角落(luò )16天(🚲)之内(🐽)的一系列事件，四(sì )两(🈴)拨(bō )千斤地讨论了(🥁)人(rén )生(🌳)、政治、历(lì(🍮) )史等(🕛)话题；通过(guò )单场(chǎ(👃)ng )景多幕剧的结构让(🏽)人(rén )感(🛫)受到老(lǎo )人们(🔄)的孤(🎲)独，以(yǐ(🚽) )及疾(jí )病带来(👹)的苦(🗺)涩，同时(shí )映射(🐢)出黎(lí(🤚) )巴嫩暴力事件(🌮)肆(sì(🐊) )虐的(de )现(😽)状。以小见大，令(🕯)(lìng )人(⏮)回(huí )味。
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４K/8Kの高解像(⛱)(xiàng )度に(✡)よる大型映(yì(👟)ng )像を(🔪)はじめ(🚕)、CMやPV、テレビ(🕟)番組(🙏)、さらにはwebクリエイ(🚊)ティヴ・デザ(🍽)イン(🌾)やグラ(☔)フィック方面(📝)でも(🛹)活躍するIMAGICAイメージワ(🕗)ークスと、『ALWAYS三(sā(🥅)n )丁目(mù(🥤) )の夕日』シリ(🚛)ーズ(💃)や『永遠の０』など(💝)の大ヒット作で知(😛)られる(🎤)映像制(zhì )作集(🚲)団ROBOTが(🤮)タッグを組んで、子(🏏)(zǐ )どものころに見(🎽)た夢(mè(🉐)ng )を失いながら(🎸)大人(👶)になり(🎊)、多(duō )忙を極(🤹)めて(🆎)久しい現(xiàn )代人の心(📌)(xīn )に、かつて(🗯)のあ(🎽)の“想い(🖌)”を蘇らせるSFフ(🌈)ァン(💠)タジー！
In a story told from two different perspectives, Will Bird recounts the events which led to him being in a coma, while his niece Annie recounts her attempt to help to revive him from his coma.
When a quick-witted but co-dependent college girl helps her best friend land a boyfriend, she's left on the outside looking in and is forced to deal with the realities of adulthood for the first time.
The members of a soccer school team must to solve why some referees fell asleep in the last games.@艾米电影网(wǎ(⏰)ng )
Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.
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