A frame that says, 'Drink makgeolli (rice wine) here and the one you miss will return' is hung on the wall of a tavern titled The Return. The tavern's regulars miss their lost ones.
嘉(🌎)庆年(nián )间(🚓),海(❄)(hǎi )州之地官商勾结腐败严重,乡(🖨)绅(💐)刘德高与(🍨)日本人串通走私鸦片残(🕍)害百姓(xì(🐥)ng )。刑(🕎)部(bù )尚书敖(áo )青密令(lìng )洪涛前(🐵)往(🏾)特查此案(〽)。
影(🌰)片由各位不同角色和他们的Ex故(✉)事(🍤)的穿插起(➗)来(⛪),角(jiǎo )色之间(jiān )两两之(🦀)(zhī )间有各(🧐)(gè(✔) )种联系。故事探讨了各个角色和(📈)前(🔷)任们各种(😏)不(🌄)同的关系。
剧情描述两个(gè )怀揣(⛴)梦(🛴)(mèng )想远大(🛅)(dà(🚨) )抱负的(de )艺校女(nǚ )生,在舞蹈的路(💽)上(📲)完善完美(🌋)自己以及追逐对自己青(😓)春路上的(🎣)友(⛏)谊和情感(gǎn ),主角(jiǎo )因嫉妒(dù )闺(👿)蜜(🐘)女(nǚ )二受(🚟)到(❄)了魔镜的诱惑,连环杀害自己的(🐎)同(🤣)伴和校友(🎍)以(🤜)满足内心对女儿的(de )嫉(🛎)妒欲(yù )望(👽)达(🏰)到(dào )最终目(mù )的,女二由于病情(😽)面(🏡)临必须放(🛩)弃(🧝)梦想的处境中,在得到绣花鞋后(🐰)得(🕔)知也(yě )需(💯)要(💨)他(tā )人付出(chū )生命,但是为(wéi )了(🔥)救(😱)人决定穿(💗)上绣花鞋的和女主角做(🤡)斗争,男主(🈵)是(🏟)个英俊帅气的校草,对女一(yī )和(🔨)女(⛷)二(èr )怀有(🔻)模(⛷)(mó )凌两可的感情纠纷,剧中一直(😲)被(♎)魔镜和绣(👘)花(🏌)鞋牵引着剧情,女主用(🖕)罪恶(è )的(🥥)方(❇)式(shì )达到(🎻)目(mù )的后到(dào )头来内(🦖)心(🏙)一无所有(🐢),最(🌃)后女二因内心的焦虑和不安惶(🚻)恐(👲),才发现这(🎤)全(🦇)部(bù )都是她(tā )做的一(yī )个噩梦(🚩)(mè(💾)ng ),醒来(lái )发(🛒)现自己在病床上
剧情描(🗿)述两个怀(🤛)揣(⛱)梦想远大抱负的艺校女生,在舞(🚷)蹈(⛔)(dǎo )的路上(👠)(shà(👈)ng )完善完(wán )美自己(jǐ )以及追逐对(🍁)自(🥞)己青春路(🎏)上(👟)的友谊和情感,主角因嫉妒闺蜜(🍸)女(🦐)二受到了(🥛)魔(mó )镜的诱(yòu )惑,连(lián )环(🛷)杀害(hài )自(💺)己(⛱)的同伴和校友以满足内心对女(😧)儿(🌴)的嫉妒欲(❇)望(📤)达到最终目的,女二由(yóu )于病情(🔸)(qí(🍦)ng )面临必(bì(👃) )须放弃(qì )梦想的(de )处境中(🏘),在得到绣(😹)花(📝)鞋后得知也需要他人付出生命(🧀),但(👣)是为了救(🚲)(jiù(📵) )人决定(dìng )穿上绣(xiù )花鞋的(de )和女(🤛)主(⬆)(zhǔ )角做斗(🔬)争(🐐),男主是个英俊帅气的校草,对女(🤥)一(🎡)和女二怀(🐁)有模凌两可的感(gǎn )情纠(📁)纷(fēn ),剧中(🔊)(zhō(💄)ng )一直被(bèi )魔镜和绣花鞋牵引着(🥦)剧(🎾)情,女主用(🚩)罪(⛅)恶的方式达到目的后到头来内(🥗)心(🦎)一(yī )无所(📜)有(yǒu ),最后(hòu )女二因(yīn )内(🍽)心的焦虑(📍)和(🍟)不安惶恐,才发现这全部都是她(🌛)做(😈)的一个噩(🥘)梦(🏢),醒来发现(xiàn )自己在(zài )病床上(shà(🍑)ng )
Four childhood friends, all married with no passion left, get together in a high school reunion dinner. Between laughs and drinks, they all agree that they love their wives but no longer desire them. Together they hatch an illogical project: a secret club for men who want to cheat, so that they themselves can regain lust for their wives.
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
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